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Content Warning: This section features discussions of sexual violence and harassment, rape, ableism, mental illness, death by suicide, suicidal ideation and self-harm, animal cruelty and death, substance use, addiction, graphic violence, sexual content, cursing, illness and death, physical abuse, and emotional abuse.
Nineteen-year-old Glyndon King is a student in the arts program at Royal Elite University (REU). She comes from a family of renowned artists, and her mother, Astrid, is known worldwide for her paintings. Her older brothers, Landon and Brandon, are also well-known for their art, particularly at their university. However, in comparing herself to the other artists in the family, Glyndon feels that she has no talent. Though she uses painting as an emotional outlet, she rarely shows her paintings and is unsure of her own art style. This affected Glyndon greatly growing up and made her feel like an outcast in the family, so she sought comfort in her grandfather, Jonathan, who preferred her to the other grandchildren. Glyndon felt that she could not share her feelings with her family, a feeling that only increased with her brother Landon’s coldness toward her.
Glyndon thus grew up feeling misunderstood and detached, particularly in her teen years, and she fears that she was accepted into REU merely because of her family rather than based on her own talent. Glyndon grapples with depression and darker feelings, ones she thought she could not confide in anyone else, even the close friends she has known since childhood. This changed when Glyndon met Devlin, a student at King’s U who shared similar feelings. The two would talk about their depression and how it impacted them along with discussions of their mortality. Glyndon believed Devlin was given to suicidal ideation but was surprised when he asked her to drive off a cliff with him. When she refused, Devlin belittled her and her feelings of depression, causing her to experience confusing emotions after his death. In the weeks following Devlin’s death, Glyndon contemplates dying but doesn’t tell others about these feelings, though her friends and family worry about her.
In the Epilogue of God of Malice, Glyndon describes herself at this point in her life as “too lethargic, too out of it to even consider anyone. I hated life and myself” (442). However, she also claims she was “brought back [to her] senses in a painful outburst” (442) when, a few weeks after Devlin’s death, a stranger sexually assaulted her. Though her friend Ava later recalls that Glyndon once drunkenly admitted to sexually fantasizing about having to “fight it and be forced to take it, even when you say no” (215), Glyndon’s assault changes everything for her. When her attacker, Killian Carson, continually stalks her, Glyndon considers her confusing attraction to and disgust with him as Killian continues to deprive her of self-control.
As she begins to accept that she’s falling for Killian, Glyndon begins to question her own autonomy and whether she can gain anything by giving full control to him. At one point, Killian tries to get Glyndon to admit that she belongs to him, but she refuses, not only because she’s still unsure of Killian but also because she thinks, “This is the last part I have of myself, and I vehemently refuse to hand it over” (290), momentarily preserving a shred of her autonomy. However, as Glyndon learns that she can’t control or deny her love for Killian, at the end of the novel she finally confesses that she belongs to him, prioritizing her love for him.
Nineteen-year-old Killian Carson is a fourth-year medical student at King’s University. He comes from a wealthy family outside of New York City that has mafia connections. When he was seven, Killian followed the urges he had to look under the skin of animals and people and brought his parents the bodies of rats he found and dissected. His parents, Reina and Asher, were horrified and began to make him undergo various psychiatric treatments. From this moment, Killian knew that he wanted to kill, yet he was also aware that his parents and his older brother, Gareth, feared him. Around this time, Killian overheard a conversation between his parents in which his father called him “defective” and suggested that they should have only had Gareth. Since Reina defended Killian, he knew that he’d have to hide his evil side from his mother to keep her happy, though he wouldn’t do the same for his father and brother, whom he believed hated him.
Glyndon suspects that Killian has antisocial personality disorder and therefore lacks any real feelings and only learns to act like he experiences them based on what he observes in others. Kilian puts up a facade to appease others and hide his homicidal urges, pretending to be affable and likable. He thus becomes popular, and his intelligence leads to his acceptance into medical school several years early. Killian uses his medical studies to help him satiate his urges to dissect and look inside people as he once did rats. Similarly, Killian commits smaller acts of violence and cruelty to dull his urges to kill. Aiding him in doing this is his role in the Heathens, where he can inflict violence on others often while disguised. When Killian was growing up, his father tried to interest him in hunting, but killing animals did not satisfy him. Therefore, he arranges hunts and other forms of torture in the Heathens’ initiations. Other than violence, the only thing that helps dull Killian’s urges is Glyndon: He becomes obsessed with her and stalks her like prey in part as an effort to prevent himself from killing others.
Killian has a few positive and neutral qualities that become apparent throughout the novel. He takes care of Glyndon, making her a healthy lunch with vegetables in the shape of a smiley face in Chapter 19, though his motivations for doing so are questionable. Toward the end of the novel, he begins to let her thoughts and feelings influence him, stopping him from fulfilling his ultimate fantasy of killing a man whom he wanted dead. Even so, Rina Kent never describes Killian as anything other than a villain or monster. In the novel’s opening scene, he nearly kills Glyndon and then sexually assaults her, though Glyndon believes the act has a positive outcome at the end of the story. In her author’s note, Kent defines Killian as “a true psychopath, not a make-believe, nor a bad boy who’s eventually tamed. He’s a villain with very questionable actions, […] morally black” (8). Kilian is unlike many other romance novel love interests who can be seen as “morally gray” or who have a redemption arc, yet this raises various thematic questions about The Nature of Love and who deserves love.
The students of Royal Elite University (REU) claim both great talent and great connections. Glyndon describes the admission process as difficult as “securing an audience with the queen. Not only because of the fees that just the rich and their granddaddies can afford, but also because the educational system is tough” (42). Glyndon’s friends come from various academic backgrounds and play various roles in the novel and the two universities’ secret societies. Glyndon has known her two closest friends, Ava Nash and Cecily Knight, since childhood. Like Glyndon, Ava is in the arts program at REU and is studying the cello, though her outgoing and headstrong nature often gets the group into trouble. Cecily, a psychology major, is more quiet and refined, though her strong sense of justice gets her into dangerous situations.
These women meet Annika Volkov at the beginning of the novel and quickly become close to her. Annika is an American starting the ballet program at REU, which comes as a surprise to many since her brother is the notorious leader of the Heathens. Glyndon’s brothers, Brandon and Landon, also attend REU. While Glyndon cares deeply for the good-natured and gentle Brandon, Landon’s cold and pompous arrogance makes his siblings avoid him on campus. Other characters like Glyndon’s cousin Creighton and his friend Remi round out Glyndon’s circle at REU. Characters like Landon and Creighton are connected with the secret society of the Elites, yet the others generally try to stay out of the business of these notorious clubs. In later novels in the Legacy of Gods series, many of these characters act as protagonists, and their own stories emerge in greater detail.
King’s University is as prestigious a school as REU, but students at King’s U are often accepted based on their connections to the Russian mafia rather than connections to the elite and wealthy of Britain. Both of the school’s secret societies, the Heathens and the Serpents, are associated with the mafia, and their power plays on campus have implications outside Brighton Island. Jeremy Volkov is the accepted leader of the Heathens and, along with being Annika’s overprotective brother, is rumored to be a murderer. His tactical yet violent nature pairs with Killian’s to organize the club’s actions, and Jeremy is suspected to be the mafia leader’s heir. Killian’s cousin Nikolai is likewise expected to play a role in the mafia, as his entire family is already involved. Nikolai is much more impulsive than Killian and Jeremy and is seen as the muscle of the group.
Killian’s brother, Gareth, is another crucial member of the Heathens. Though he’s much less violent than the others, Gareth often organizes things within the club as a way to keep an eye on Killian and his homicidal tendencies. Jeremy, Nikolai, Gareth, and Killian founded the Heathens, who hate the Serpents and the Elites but have not enacted serious violence on them in some time, which upsets another King’s U student: Devlin. Glyndon initially befriended Devlin because she felt they were similar, but Devlin was using her to get to the leaders of the Elites and Heathens. Devlin, a leader of the Serpents, wanted to destroy the other two clubs by pitting them against one another. He faked his death by suicide to incite violence, and he remains hidden and presumed dead for most of the novel. Possibly even more than the general REU student population, the King’s U students are obsessed with power and status, so REU students are warned against associating with them. Like many REU students, many King’s U students become protagonists and romantic interests in later novels in the Legacy of Gods series.
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