51 pages 1 hour read

God of Malice

Fiction | Novel | Adult | Published in 2022

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Chapters 11-18Chapter Summaries & Analyses

Chapter 11 Summary: “Killian”

Content Warning: This section features discussions of sexual violence and harassment, rape, ableism, mental illness, death by suicide, suicidal ideation and self-harm, animal cruelty and death, substance use, addiction, graphic violence, sexual content, cursing, illness and death, physical abuse, and emotional abuse.

Killian thinks about how he can break down Glyndon’s defenses to get closer to her. Returning home, Jeremy and Nikolai are angry that he lost the fight the previous night. They discuss the information they have on the high-ranking members of the Elites before Killian goes to his room. Looking at the pictures he took of Glyndon, he thinks about how he knew Devlin wanted to be with her.

Chapter 12 Summary: “Glyndon”

When Glyndon arrives at the apartment she shares with Ava, Cecily, and Annika, they question her about where she was. Remi, Creighton, and Brandon come over and warn Glyndon about going to the underground fight club again. Glyndon gets another text from the unknown number, which she realizes is Killian when he starts sending her sexually explicit messages about assaulting her again.

Chapter 13 Summary: “Glyndon”

Late that night, Glyndon wakes up to find Killian is there: He covers her mouth, holds her down, and begins to assault her. As he tells her how she wants him to take control from her, Glyndon realizes that she does in fact want this, despite never telling anyone about these fantasies before. She awakens, realizing that this scene was a nightmare, and hears Brandon and Cecily talking about how they’ve been worried about her—but she wonders if this is another dream. The next day, Annika tells Glyndon about the Heathens’ initiation ceremony, which is happening that night. People invited get a text beforehand and are essentially tortured physically or mentally to see what they can withstand. This year, REU students will be invited along with King’s U students. Annika mentions that the last time an initiation happened, a student was so distraught about not getting in that they drove themself off a cliff the next day—which reminds Glyndon of how Devlin died. Recognizing that the Heathens might have something to do with Devlin’s death, Glyndon resolves to learn what happened to him no matter what she must do. Shortly thereafter, she receives a text inviting her to the Heathens’ initiation.

Chapter 14 Summary: “Glyndon”

Glyndon calls her favorite person, her grandfather, after a particularly difficult art class during which she overheard the professor comparing her to the other artists in her family. Soon after, Glyndon lines up to be part of the Heathens’ initiation, and two guards in bunny masks put a mask on her before she goes into the clubhouse. Five men in different colored bunny masks address the hundred people who were chosen to come, and one tells them that they must outrun the five founding members to the end of the property to be inducted into the club. All participants are allowed to use violence and weapons and to show no mercy; the only rule is that no one can intentionally kill another person. Glyndon is terrified but knows she must do this for Devlin’s sake. The guests are given a 10-minute head start before the five founding members begin to chase them, and Glyndon lets her instincts take over as she begins to run.

Chapter 15 Summary: “Killian”

Killian, Jeremy, Nikolai, and Gareth—the founding members who (along with an unnamed person whose identity this novel doesn’t reveal) are wearing bunny masks—discuss their plan for the hunt and take off before the 10-minute head start is over. Killian thinks about how his father used to take him hunting in an attempt to dull his homicidal tendencies, but Killian quickly became unsatisfied with killing only animals. He eliminates a few participants with a baseball bat but wants more of a challenge, finding one when one of the participants runs past him into the woods.

Chapter 16 Summary: “Glyndon”

Glyndon, the participant who runs from Killian, hides in a tree, expecting him to be the one trailing her. When she thinks it’s safe to come down, she sees Killian beneath her, and he catches her before she falls. He reveals what she thought was a nightmare last night was real. He continues to pursue her but agrees to pause for a moment when she asks for more time, despite knowing that it’s just her attempt to figure out a way to get rid of him. As she tries to ask Killian more about himself, he brings up her thoughts of jumping off the cliff the night they met. Glyndon is fully aware of the contradictory feelings of loathing and attraction she has toward Killian yet is more willing to submit to him when he makes her perform oral sex on him again. This time, Killian does the same to her, bringing her to orgasm again. After he’s finished, Killian takes another picture of her.

Chapter 17 Summary: “Glyndon”

After getting dressed, Glyndon tells Killian about a psychological effect called the “misattribution of arousal” or the “suspension bridge effect,” wherein one mislabels fear as romantic or sexual arousal. While Glyndon sees this as an explanation for her attraction to Killian, he thinks it’s just an excuse to deny her attraction to him. Killian lets Glyndon walk ahead of him as she tries to finish the initiation challenge. During their walk, he mentions that this is their third date and says that Glyndon is the only person around whom he can be himself. Glyndon asks who the person behind the fifth bunny mask is, but he refuses to answer that question. Just as she gets to the edge of the property, Killian taps her with his bat and disqualifies her. Immediately after, a gorgeous woman appears and takes off her own white bunny mask to greet Killian with a kiss.

Chapter 18 Summary: “Glyndon”

Glyndon surprisingly feels rage when she sees Killian and this woman together, but she doesn’t want to admit that she feels jealous. Killian pulls the woman, Cherry, away from him as she reveals that she made it into the Heathens’ club. Glyndon leaves angrily, and Gareth leads her out of the house. He warns her away from Killian and apologizes when she admits that Killian is the one pursuing her, as Killian always goes after what he wants. Gareth knows that Killian will eventually become a killer, but Glyndon thinks Killian has more control than that. When she returns home and checks her social media, Glyndon sees that Killian liked all 500 of her Instagram photos an hour ago and also sees the facade he implements on his profile. When she refreshes his profile, she sees that he has posted one of the pictures he took of her, though only she knows who it is.

Chapters 11-18 Analysis

The theme of Power and Control greatly influences this section of the novel as Glyndon begins to debate exactly how much of control she can relinquish to Killian without losing herself. On a larger scale, power plays in groups such as the mafia and the Heathens show a general interest in control, yet they also symbolize the games of power and control being played on a smaller scale by the novel’s main characters. Killian’s homicidal urges make him obsessed with power, and the chapters that detail the Heathens’ initiation show how he has enveloped his own interests into the club. Not only is Killian fixated on overpowering others, but he also boasts of his own great self-control, asserting that he’s able to “stop [him]self from killing by hunting and planning for hunting” (153) rather than acting on his impulses. As in earlier chapters, violence and sexual assault are also symbols of control and power. The Heathens can inflict violence as they wish because they have an assumed power over the people they’re initiating, just as Killian believes he has power over Glyndon. However, she begins to question just how much control he has over her in Chapter 16 when she asks him to give her more time to prepare herself and he agrees. As the novel progresses, the balance of power begins to change.

God of Malice is a dark romance novel, yet it also incorporates tropes of other genres, particularly mystery and thriller. This section of the novel emphasizes these tropes, as many things are unclear to both readers and characters. Mystery surrounds the Heathens from the beginning of the novel as Glyndon and most other students learn about the club only through rumors. The mystery increases at the initiation, where Rina Kent never answers the question of who the fifth founding member of the Heathens is. The novel introduces additional plot lines at this time, such as the question of who shot at Killian during the hunt, why everyone must remain anonymous, and what power the Heathens actually hold. These questions underscore larger mysteries in the book: Who is texting Glyndon anonymously? What actually happened to Devlin? Will Killian eventually kill someone? All these ideas create suspense in the novel, leaning into the other genres Kent uses.

Kent questions the nature of consent throughout the novel but particularly in this section as Glyndon questions what she wants. Killian often insists that she wants to have sex with him regardless of whether he even gives her the option to respond, taking any agency for her to either accept or refuse him. During Glyndon’s supposed nightmare in Chapter 13, Killian tells her:

Deep down, you like this, don’t you? You want to be forced to lose control. That way, you’d be comforted by the fact that you didn’t agree to this. It’s your mind’s way of assuming you’re not the twisted one who actually fantasizes about this (132).

When Glyndon wakes up the next day, she believes the words Killian said, thinking, “Maybe the Killian from the nightmare, as terrifying as he was, is right, and I’m secretly into that?” (134). During their next sexual encounter, in Chapter 16, Glyndon knows that she shouldn’t try to fight back against Killian, though whether that’s because she believes it’s useless or she wants it (as he suggested) is unclear. In this way, Kent explores the idea of consent and the difference between sex and sexual assault. Though Glyndon thinks of her nightmare as assault (“Real or not, I shouldn’t be aroused at the prospect of being raped” [134]), and the novel never insists that Killian is a good person, Kent never firmly establishes where her characters draw the line, leaving that up to the reader.

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